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Rooftops

I had a final stop in Paris before going home.

Originally I was hoping to spend time meeting up with the teachers from BTL for drinks, getting a last chocolat chaud with Mr Frog, and maybe a drink with Manuela.

But when I sent out texts, I discovered that neither Mr Frog nor Manuela would be in Paris. And of the seven teachers that I considered to be the core of our group at BTL, two had already left Paris, two were flying to Toulouse on Friday, and I didn’t have one’s number.

D was going back to London after Rome and I panicked – how could I spend four days alone with nothing planned?

Eating out has always been a social activity for me, so it was off the list. After two and a half months of being a tourist, I didn’t want to see museums and monuments. Especially not ones I’d already seen.

I didn’t want to spend the next four days agitated, especially with one of the world’s longest flights ahead of me!

So I changed my flight home and breathed a sigh of relief. I would only be in Paris for two days now (or one and a half, if you subtract airport time).

Then I reached my hostel, on a beautiful street in the 18th at the top of a tree-lined staircase, neighboured by a brasserie and an up-market boulangerie, with a chocolaterie, a couple of bars, and several fruit shops down the road. Out the window of my dorm room was a vista of lead roofs, brown chimneys and dark windows.

I felt that familiar thrill.

Oh why had I worried?

My one and a half days ended up being plenty of time, and it was probably better that I spent them alone, as I was deep in thought and my emotions rocked in waves.

When I reached the buoyant crest, I felt that Paris had revitalised me. I had a real croissant for breakfast instead of the horrible packaged equivalents from the hostels in Italy. The round tables of brasseries spilled onto the streets, with patrons lighting cigarettes over coffee in the morning, to be replaced by wine in the afternoon. As I walked I could smell the perfumes of pungent cheese and dark chocolate when I passed open shop doors. The market produce shined brightly, colours ripening in the sun. It all seemed so familiar to me.

Whenever the breeze rose, I felt as though I was swept into a lover’s arms and waltzed down the street. I could travel for another month. Even two! There was so much more I wanted to see!

At Place des Vosges I ate a light and sweet strawberry mille-feuille and one of the best sandwiches I’ve had in Paris (courtesy of Boulangerie St. Antoine) – no need to toasting here, as with many of Italy’s day-old paninis – the bread was crunchy and the ham, gruyere and salad so fresh that no dressing was necessary. I returned the phone that a former student, Marie Maud, had lent me when mine broke in February, and learned that she was engaged and planning to move to London. When I closed my bank account, the ease of the process made me so jubilant that I did a little dance on Boulevard Haussmann once I’d surrendered my carte-bleue.

Then my mood would start to descend. When I came upon Rue du Pot de Fer and wandered down it for the first time, I wondered how many more streets like this the city was hiding, just waiting for me to discover. I turned down Rue Moufftard and decided that I liked it even better than Rue Montorgueil, my previous market-street favourite.

Paris beckoned me. She had seduced me time and time again, and now it was my turn. She smiled coyly, flashing a bit of calf as she crossed her legs, leaving her skirts below her knee. Stay a little longer – give me a look, a smile, a touch. Pause a moment, and I’ll tell you my secrets. The leaves whispered as they rustled in the wind, and I debated whether I was leaving too soon. After nearly nine months in Paris I was still an outsider – was I walking away from my chance to get in? My chance to sample a French life?

Then I would sink into the troughs, tormented by worries about going home, and haunted by ‘what ifs’. As the afternoon crawled in, I started to feel as though I was losing a loved one and at some moments the grief was so acute that I ached to curl up and lick my wounds.

And then I would be happy again, soaring on the crest of another wave.

That day I walked around Montmartre, down to the Parc Monceau then Boulevard Haussmann, past Madeleine and Place de Concorde to the 5th and 6th arrondissements, then to Bibliothèque François Mitterrand and Parc de Bercy before heading back through Bastille, Le Marais, Les Halles and up Rue Montorgeuil and Rue Montmartre. In the evening I left for another walk around Montmartre.

That night I collapsed into bed exhausted. And I worried about my return to Australia.

When I returned from London in 2009, it took me some time to find work, and then I’d only done it with help from my mum and her contacts. I’d never imagined that I’d have trouble finding a job – it shattered my confidence, and this affected several areas of my life.



I was determined that this wouldn’t happen again, and formed a plan of attack as I fell to sleep.

The next morning I woke, feeling at peace. In the few hours before my flight I strolled. Yes, Paris was still alluring, but I didn’t feel as I’d felt the previous day. I was no longer torn.

Paris and I had had a brief and beautiful affair. But it was over.

And I was ready to go home.

Banking in Paris – more drama

For some reason, BTL pays our final month and holiday pay by cheque.

This means that, if you are leaving the country the next day, you need to organise a bordereau de remise de cheque, which allows someone else to deposit the cheque for you. I organised this before I left (it’s basically a book of deposit slips that needs to be completed with the number of cheques being deposited and their value) and asked Imogen to deposit it. Both BNP and Renée at BTL told me that I needed to sign the back of the bordereau de remise de cheque, so signed about four in case there was a problem.

Because I hadn’t heard from Imogen, I assumed everything went through last week. Until today – I checked my bank balance (-€159.73) and the my phone, and I had a message from her:

I’m afraid your bank has refused the cheque because it’s not signed. . .

This makes no sense to me – the reason I needed someone else to deposit the cheque was because I wouldn’t be there at the time I received it, so how was I supposed to sign it?! Luckily I’m going back to Paris in April, so if I can’t organise anything now at least I know I can do it then. But what if I’d gone back to Australia immediately after I finished working? Wouldn’t I have been paid?

Unfortunately, I was expecting this money to come in last week, which means I’ve been spending the money that I had. So my bank balance is in the negatives, and I’m not sure how long BNP is going to allow me to continue to withdraw funds.

It might be time to give the ‘mummy and daddy bank’ a call.

 

Update:

BTL said they could post the cheque to me, and I could sign it and post it back to them. However, my hotel in Dahab, Egypt (my next destination) said that the cheque might not arrive before I left, so it looks like I’ll have to wait until April 5, when I’m back in Paris.

Le meilleur chocolat chaud à Paris? part quatre

Laduree - Rue Bonaparte

On Monday, Mr Frog and I sampled the last of his recommended hot chocolates – Ladurée.

The salon on Rue Bonaparte is not what you’d expect from a Parisian salon de thé – the ground floor is decorated in a Chinoiserie style with leafy bamboo and flowers painted on the wall, echoing Ladurée’s pastel pinks and greens. In contrast, the top floor is very dark and intimate. It is all blue, with dark carpet and thick, tasselled curtains and plush little armchairs printed in blue and gold. Warm and cosy, it is a perfect hide-out for a rainy winter day.

So would the chocolat chaud measure up?

The waiter came with the traditional two glasses of water, two china cups on saucers and two metal jugs of hot chocolate, and poured each of us a cup from our respective jugs. I smiled in anticipation as the liquid seeped thickly from the spout of the jug and pooled in the bottom of my cup, the volume rising steadily. It was reminiscent of Les Deux Magots – molten milk chocolate.

Then I took my first sip . . . nothing. I took another one, trying to savour the texture in my mouth, but it left me unmoved. At Café de la Paix and Les Deux Magots I hadn’t been able to keep the smile off my face, and even though Angelina could not match, it was worlds above Ladurée, and I still enjoyed my chocolate’s silky texture and taste.

The Ladurée hot chocolate had somehow managed to have all of the texture and none of the flavour of the first two. It tasted dusty and stale in comparison to the others. Little spots of fat glistened on top of the liquid, like in a soup that has used butter or oil, and I found it harder to drink as I continued.

It was like Cadbury chocolate in comparison to Lindt. As a child I liked Cadbury but, as an adult hooked on dark chocolate, Cadbury now tastes like wax to me. However, Lindt milk chocolate takes my breath away– like velvety cream as it melts on my tongue. I pause and savour Lindt, whereas I eat Cadbury very quickly to try and capture the same rapture.

The Ladurée hot chocolate was like this – although it was thick, I found myself taking bigger and bigger gulps as I chased the memory of more intense flavours at other cafés. If it weren’t for the texture, I would have found it very difficult to rank this chocolate above those that standard cafés sell for €2.50 – €4.00.

So I wouldn’t recommend this €6.50 hot chocolate – spend another €0.50 and go to Les Deux Magots, or if you would prefer something thinner and satiny, spend an extra €0.40 and go to Angelina.

That being said, Ladurée is still worth a visit – the salons de thé are a Paris institution. Although the salon at Rue Bonaparte isn’t very French, the salons on the Champs-Elyseés and Rue Royale have chic patisseries and comfortably elegant salons like Angelina, with dim lighting, moulded walls and carpeted floors. And the beautifully presented pastries and macaroons are easily a good enough reason to enjoy the ambiance.

But, if I was going out for a chocolat chaud, I’d go elsewhere.

Rankings so far:

  1. Les Deux Magots
  2. Café de la Paix (second because the price is higher, though the quality is just as good as the first and the taste is more intense)
  3. Angelina
  4. Ladurée

Salon International de l’Agriculture

The International Agriculture Show is a yearly event that takes place in Paris in late February or early March. In 2011 it is taking place between February 19 and 27, and theme is ‘Farming and Food: the French Model’.

So over 1000 exhibitors and 3500 animals from 34 countries will be on site, focussing on France’s regions, technologies and traditions, with about 600,000 visitors expected to come and see their wares.

It is also where many politicians, hoping to snatch the rural vote, make an appearance to shake influential hands. Nicolas Sarkozy went on the Saturday morning (apparently after a faux-pas at the show in 2008, he prefers to keep a lower profile).

I went on Saturday, fortunately missing any Sarkozy brouhaha, and started with Pavilion 1, where the livestock was on display. When I walked into the enormous Pavilion, the perfume of hay wafted over me and, cut off from all natural light in the cavernous space, I felt as though I’d departed from Paris entirely.




This was completely different to being in some sanitised museum – I was looking at living exhibits, with famers and producers who were only too ready to talk to me and let me touch and taste their produce.

I was shocked by the size of some of the cows. Being a born and bred city girl, I’d always though cows were about the size of horses, but a bit bulkier – these were like buses in comparison! And the pigs – the sleeping giants at the Salon de l’Agriculture were four times the size of Babe.

In contrast, the chicks were scraps of feathers, smaller and softer than anything from a Kleenex ad.

And when I reached the cages of birds and rabbits, I felt like I was in a giant pet store. Excluding Bénédicte’s incredibly skittish cat, the only pet that was ever in my family was my sister’s goldfish, which I think died after a month (neat freak that my mother is, I think she changed the water too often). So my sister and would always press our faces up against pet-store windows to look at the puppies and kittens tumbling over each other, and the long-eared bunnies dozing peacefully. Here I stared at the rabbits – small balls with little, pointy ears, Angoras which were just ears sticking out of their fluffy coats, and the long-eared rabbits with their ears tucked against their bodies. I ached to run my index finger and thumb down one of those ears to see if it felt as velvety as it looked.

And then I moved on to the food. Pavilion 1 had an area devoted to cheese and dairy products, and Pavilion 7 exhibited produce from the different regions of France. I tasted sample after sample, one chocolate and hazelnut biscuit good enough to make my cheeks flush . . . but I’d already spent my money on caramelised and chocolate coated nuts by that stage, so had to slink away. One day I’m going to have enough money to go to one of these shows and buy everything I want.

I was even lucky enough to see some demonstrations.

One was of a girl making a soft white cheese – large disks of cheese rested in cylindrical casts with holes for the whey to seep out. All of the cheese casts sat on a wooden table with a groove cut out towards the edges, down which the whey slid into a bucket at one end of the table. As a man was explaining that the cheese needs to be left until the mould can form a rind, the girl quickly flipped each disk of cheese onto her palm and deposited it back into the plastic cast upside down to keep the shape and texture uniform.

I also saw a man preparing a Millet aux pommes du Perche. First he whipped up crème anglaise, whisking it until it seemed artificially bright. He sautéed some thinly sliced apples in butter, then coated them in honey and flambéed them with local alcohol. Next he spread a canary-yellow layer of custard into a casserole dish, topped it with the apples, and then added another layer of custard. After garnishing the dessert with chopped nuts, he put a green bowl of butter over the stove to soften the butter for a glaze. He lifted the bowl . . . and left a ring of green plastic on the stove.

Yes I did get to taste it, and it was lovely – the butter and apples melted together perfectly.

The next pavilion also focussed on food, but international food this time, where 34 countries each had stalls presenting their specialties (Australia wasn’t one of them, though I’m not sure what we’d show).

After visiting one of my students, who was working at the show that day and had told me about it, I took a brief tour of the crops and plant section and made my way home.


Montmartre


Relais de la Butte

Rue Poulbot


Although I’ve visited the Sacre Coeur several times, as well as a few other cafés in Montmartre, I’ve realised that I barely know the area at all.

Today I set out to remedy this. Instead of getting off the metro at Anvers, I left at Pigalle and snaked my way up the hill of cobble-stoned streets. Although Montmartre became a part of Paris in 1860, the village retained its character despite Haussman’s renovations.

From the 1880s artists gravitated to the area, giving it the bohemian atmosphere for which it is still known.

Though, on a Sunday, everything was very calm. People sat under leafless trees on park benches, in tiny parks squeezed into street corners. They posed for photos under iron lamp posts on flight after flight of stone stairs, and they slowly perused café and restaurant menus before choosing whether or not to sit down for a drink. The streets were filled with boutiques, bars and bakeries, many of the glass-front shops dark and empty.

However, the energy changed as my path wound closer to the Sacre Coeur. The crowds increased and soon the shops were all dedicated to souvenirs. Suddenly the quartier was alive with street artists – not the usual hip-hop dancers you see around Anvers, but a swing band, a cellist and a tap-dancing, balloon-animal maker. The latter was the most impressive – he would select a child in the crowd and make him or her a balloon animal while tapping away, balancing a vase filled with water on his head. And there were three live goldfish in the case.

He was performing on the corner of Place du Tertre, a square bordered by restaurants and filled with artists selling their wares. One half of the square had painters with easels displaying images of Paris for sale, and the other half of the square had portraitists who were sketching greyscale images of tourists – there must have been twenty or thirty of them.

I continued to the Sacre Coeur, where more artists were standing with sketch paper on clipboards, drawing people while standing.

I considered going to the hill in front of the Sacre Coeur to see what entertainment was there (past examples have included hip-hop dancers, jugglers and a man walking down the hill on his hands), but walked behind it instead.

I was shocked to discover a completely different world. The crowds ceased abruptly, and I was in a residential area. It was still Montmartre, with its stairs, lanterns, cobble-stones, park benches and architecture, but it was quiet. I strolled down Rue Saint Vincent and only saw two couples and an old woman walking a white poodle wearing a red vest.

I from here I walked to the mansion and tree-lined Avenue Junot and turned down Villa Léandre. Villa Léandre is reputedly one of the most expensive streets in Paris, with colourful houses and gardens lining the street.

As I left Villa Léandre I saw a sign pointing to Place du Tertre and a small group of tourists coming my way, and realised that I was heading back to the beaten track.

I followed the sign, passing a sculpture of a man coming through a wall. This sculpture is of the protagonist of French writer Marcel Aymé’s short story Le Passe Murielle – at 42, the character Dutilleul discovers that he can “pass through walls with perfect ease”. This talent drives Dutilleul to sinister pursuits until he is trapped in a wall on Rue Norvins in Montmartre, where we can see him today.

Chez Marie

Street performer. He has goldfish on his head!

Place du Tertre

Place du Tertre

Villa Leandre

I returned to Place du Tertre, and window-shopped my way along the beaten track back to the metro.

After an hour of walking, I still don’t know Montmartre very well, but I think we’re becoming better acquainted.


The man in the wall

Sacre Coeur from back